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Friday, October 9, 2026
Kunsttage

Game Review: Sleaford Mods' Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture

Produced by Bristol sound co-founder the musician-producer, this sharp-edged though slight first film casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”

A Shaky Start and Grimly Amusing Confrontation

The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his normal activities. The bigger point – that the ecstasy generation were mainly focused on themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a darkly funny standoff takes hold – David eager to get away; the Woodsman withholding his jerrycan of scrumpy, determined to dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Vibe

Just a single key story turn, but it results in a comically executed chaotic run on the woodland paths that veers toward rural terror. Director John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic grand display, accompanied by a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.

Game releases in British and Irish cinemas from 17 November.

By

Joshua Burns

Lena is an art historian and curator with a passion for contemporary Austrian art, regularly contributing to cultural publications.

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